Cast
Kent
Brendan Griffin
The Old Globe: Back Back Back. ELSEWHERE: Clouds, Dog and Pony Theatre; FILM/TV: Generation Kill, Taking Chance, Guiding Light, Law & Order: Criminal Intent, The Nanny Diaries, Conviction, One Life to Live, Law & Order: SVU. TRAINING: BA Drama, Kenyon College; The British American Drama Academy.
Adam
Nick Mills
The Old Globe: Debut. NEW YORK: Beef, Slant Theatre Project; Hip Hop Hamlet, Playwrights Horizons. ELSEWHERE: Boys' Life, The Credeaux Canvas, Vitality Pro- ductions; Keep Ishmael, White Horse Theatre. FILM: The Appointment, The Receptionist (writer/director). Mr. Mills is the Artistic Director of VITALITY Productions, LLC, in Los Angeles. EDUCATION/TRAINING: MFA, NYU Graduate Acting Program; BFA, University of Evansville.
Raul
Joaquin Perez-Campbell
THE OLD GLOBE: Back Back Back. ELSEWHERE: Columbinus, NYTW; A Soldiers Play, Second Stage; The School of Night, Romeo and Juliet, Appreciation, Richard III, Balm in Gilead, As You Like It, Juilliard. FILM: The Hurt Locker, War of the Worlds, The Manchurian Candidate. TV: Numb3rs, Veronica Mars, 3 Lbs, CSI: NY, Guiding Light. TRAINING: The Juilliard School.
Utility Player
Matthew Bovee
Team
Playwright
Itamar Moses
Itamar Moses is the author of the full-length plays Outrage, Bach at Leipzig, Celebrity Row, The Four of Us, Yellowjackets, Back Back Back and Completeness, the musical Fortress of Solitude (with Michael Friedman and Daniel Aukin) and the evening of short plays Love/Stories (or But You Will Get Used To It). His work has appeared Off Broadway and elsewhere in New York, at regional theatres across the country and in Canada and is published by Faber & Faber and Samuel French. He has received new play commissions from McCarter Theatre Center, Playwrights Horizons, Berkeley Repertory Theatre, The Wilma Theater, South Coast Repertory, Manhattan Theatre Club, Lincoln Center Theater and the Goodman Theatre. On television, he has written for both TNT’s “Men of a Certain Age” and HBO’s “Boardwalk Empire.” He holds an M.F.A. in Dramatic Writing from New York University and has taught playwriting at Yale University and NYU. He is a member of the Dramatists Guild, MCC Playwrights Coalition and is a New York Theatre Workshop Usual Suspect. He was born in Berkeley, CA and now lives in Brooklyn, NY.
Director
Davis McCallum
THE OLD GLOBE: Jack O’Brien Directors‘ Lab (2007). NEW YORK: Chuck Mee’s Queens Boulevard, Signature; Quiara Hudes’ Elliot: A Soldier’s Fugue (Pulitzer Prize Finalist), P73 at The Culture Project; The Turn of the Screw, Jane Eyre, The Tempest, The Acting Company; Unbound: The Journals of Fanny Kemble, West Moon Street, Prospect Theater Company; Noah Haidle’s Women & Criminals, HERE. REGIONAL: The Belle’s Stratagem, Oregon Shakespeare Festival; Romeo & Juliet, Playmakers Rep; Sarah Ruhl’s The Clean House, Cleveland Playhouse; others. He was a Drama League Directing Fellow (2001), a Phil Killian Directing Fellow at OSF (2003), and was recently selected for the NEA/TCG Program for Directors (2007). EDUCA-TION: He trained at LAMDA and studied at Princeton and Oxford, where he was a Rhodes Scholar. UPCOMING: Henry V at the Guthrie.
Scenic Design
Lee Savage
THE OLD GLOBE: In This Corner. NEW YORK: The Private Lives of Eskimos, I (Heart) Kant, Committee Theatre Company; Harvest, La Mama; Go-Go Kitty Go! (NYC Best Play Award), Fringe; Frag, HERE. REGIONAL: Tamburlaine, Edward II, Richard III, Shakespeare Theatre Company; Death of a Salesman, A Midsummer Night's Dream, The Just, Chautauqua Theater Company; Waiting for Godot, Berkshire Theatre Festival; Driving Miss Daisy, Delaware Theatre Company; Peter Pan, Cyrano de Bergerac, University of Delaware PTTP; The Misanthrope, I Am My Own Wife, Dallas Theater Center; The Intelligent Design of Jenny Chow, Yale Repertory Theatre; School for Scandal, Trinity Repertory Company; The Servant of Two Masters, Pittsburgh Public Theater; Intimate Apparel, Philadelphia Theatre Company; Love’s Labour’s Lost, Uncle Vanya, Orpheus Descending, Yale School of Drama. INTERNATIONAL: The Jammer (Fringe First Award), Edinburgh Fringe Festival. AWARDS: Helen Hayes Award Nomination (Richard III); Connecticut Critics Circle Award (The Intelligent Design of Jenny Chow); The Donald and Zorka Oenslager Travel Fellowship. AFFILI-ATIONS: Wingspace Theatrical Design Group, The Lincoln Center Director's Lab. TRAINING: MFA, Yale School of Drama; BFA, Rhode Island School of Design.
Costume Design
Christal Weatherly
Christal Weatherly has designed regionally for Oregon Shakespeare Festival, rainpan 43, California Shakespeare Theater, American Repertory Theater, Mark Taper Forum, Kirk Douglas Theatre, The Old Globe, Long Wharf Theatre, The Studio Theatre, Arden Theatre Company, Denver Center Theatre Company, Williamstown Theatre Festival, Berkeley Repertory Theatre, Hartford Stage, Actors Theatre of Louisville, East West Players, The Children's Theatre Company, La Jolla Playhouse, Madison Repertory Theatre, Deaf West Theatre and American Southwest Theatre Company. Her New York credits include work at Signature Theatre Company, Playwrights Horizons, Human Company, The Acting Company, Apparition Off-Broadway, LLC and Summer Play Festival. Ms. Weatherly has an M.F.A. from University of California, San Diego and a B.A. from New Mexico State University.
Lighting Design
Russell H. Champa
Russell H. Champa has current and recent projects that include Dangerous Beauty (Pasadena Playhouse), Timon of Athens (The Public Theater), Completeness (South Coast Repertory) and The Grand Manner (Lincoln Center for the Performing Arts). On Broadway, Mr. Champa has designed In the Next Room, or the vibrator play and Julia Sweeney’s God Said, “Ha!” at the Lyceum Theatre. His other New York credits include Manhattan Theater Club, Second Stage Theatre, Classic Stage Company, New York Stage and Film and La MaMa E.T.C. Regionally, Mr. Champa has designed for American Conservatory Theater, Berkeley Repertory Theatre, Mark Taper Forum, Wilma Theatre, Seattle Repertory Theatre, Trinity Repertory Company, McCarter Theatre, Campo Santo, Williamstown Theatre Festival, The Actors’ Gang and the Kennedy Center. Thanks J + J. PEACE.
Sound Design
Paul Peterson
Paul Peterson has designed over 100 productions at The Old Globe, including The Brothers Size, God of Carnage, Nobody Loves You, Anna Christie, Odyssey, Engaging Shaw, Life of Riley, Plaid Tidings — A Special Holiday Edition of Forever Plaid, Welcome to Arroyo’s, Brighton Beach Memoirs, Broadway Bound, The Last Romance, Lost in Yonkers, I Do! I Do!, The Mystery of Irma Vep, Cornelia, Kingdom, Six Degrees of Separation, The Women, Dr. Seuss’ How the Grinch Stole Christmas!, Bell, Book and Candle, Two Trains Running, Hold Please, Restoration Comedy, Pig Farm, Moonlight and Magnolias, Vincent in Brixton, Lucky Duck, The Intelligent Design of Jenny Chow, Blue/Orange, Time Flies, Pentecost, Compleat Female Stage Beauty, The Boswell Sisters, Crumbs from the Table of Joy, and many more. His regional credits include designs for Milwaukee Repertory Theater, San Jose Repertory Theatre, CENTERSTAGE, La Jolla Playhouse, Sledgehammer Theatre (Associate Artist), Mo’olelo Performing Arts Company, San Diego Repertory Theatre, North Coast Repertory Theatre, Diversionary Theatre, Malashock Dance, University of San Diego, San Diego State University and Freud Playhouse at UCLA. Mr. Peterson received his B.F.A. in Drama with an emphasis in Technical Design from San Diego State University.
Projection Design
Shawn Sagady
THE OLD GLOBE: Debut. LA JOLLA PLAYHOUSE: Carmen, The Adding Machines, The Seven, Memphis. OTHER REGIONAL: Cowboy vs. Samurai, Dear Miss Breed. Sagady attended the Pacific Conservatory for the Performing Arts.
Stage Manager
Moira Gleason
has stage managed several shows at The Old Globe including Alive and Well, Whisper House, Since Africa, Back Back Back, Sea of Tranquility, The Sisters Rosensweig, The Constant Wife, Dr. Seuss’ How the Grinch Stole Christmas! (‘05), Summer Shakespeare Festivals (2005, ‘07, ‘08 and ‘09), Vincent in Brixton, I Just Stopped By to See the Man, Fiction, The Full Monty, as Douglas Pagliotti Stage Management Intern: Old Wicked Songs. She has also been the Stage Manager for Adoption Project: Triad (Mo’olelo Performing Arts Company), Miss Witherspoon (San Diego Repertory Theatre) and Fathom (Malashock Dance, ‘06). Ms. Gleason has held many different positions at The Old Globe from House Manager to Carpenter, Master Sound Technician to Education Coordinator. She holds a BA from Southern Oregon University and is a proud member of The Actors’ Equity Association.
Stage Manager
Tracy Skoczelas
THE OLD GLOBE: Sight Unseen, Dancing in the Dark, A Catered Affair, Hay Fever, Two Trains Running, The Four of Us, The Times They Are A-Changin’, Summer Shakespeare Festivals (‘04 - ‘06, ‘08), Vincent in Brixton, I Just Stopped By to See the Man, Dirty Rotten Scoundrels, The Food Chain, Two Sisters and a Piano, Bus Stop, Rough Crossing, Much Ado About Nothing, Julius Caesar, Dirty Blonde, Pentecost, Loves & Hours, Oldest Living Confederate Widow Tells All, Splendour, Pericles, All My Sons, Compleat Female Stage Beauty, Betrayal, Smash, Memoir, Dr. Seuss’ How the Grinch Stole Christmas! (‘01-’07), Twelfth Night, A Midsummer Night’s Dream, Henry V, The Trojan Women. EDUCATION: BFA, University of North Carolina at Greensboro.
